Artist's albums
Jazz Nocturne 3 - Bunk & Bechet in Boston
1999 · compilation
Jazz Nocturne 2 - Bunk & Bechet in Boston
1999 · compilation
Jazz Nocturne 1 - Bunk, Bocage & Bechet in Boston
1998 · compilation
Bunk Johnson Plays Popular Songs
1997 · album
Bunk Johnson - 1944/45
1993 · album
Last Testament
1993 · album
1944 Second Masters
1992 · album
Bunk's Brass Band and 1945 Sessions
1992 · album
1944
1991 · album
Bunk Johnson in San Francisco
1991 · album
High Society - New York City 1945
2021 · album
Rare and Unissued Masters 1943-46, Vol. 2
2018 · album
New Orleans Jazz
2015 · album
Rare and Unissued Masters: Vol 1 / 1943-1945
2014 · album
Pallet On the Floor
2014 · album
Franklin Street Blues
2014 · album
Bunk & Mutt in New York - 1947
2013 · album
1944, Vol. 2
2010 · album
Bunk's Blues
2009 · album
Minneapolis Concert 1947 (Live Recording)
2009 · album
Mr. Johnson
2008 · album
Mr. Johnson, Vol. 2
2008 · album
Bunk Johnson Volume 1 - New York (1945-1946)
2005 · album
Bunk Johnson Volume 2 - New Orleans (1942-1945)
2005 · album
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Biography
Due to the difference of opinion between his followers (who claimed he was a brilliant stylist) and his detractors (who felt that his playing was worthless), Bunk Johnson was a controversial figure in the mid-'40s, when he made a most unlikely comeback. The truth is somewhere in between. Bunk Johnson, who tended to exaggerate, claimed that he was born in 1879 and that he played with Buddy Bolden in New Orleans, but it was discovered that he was actually a decade younger. He did have a pretty tone and, although not an influence on Louis Armstrong (as he often stated), he was a major player in New Orleans starting around 1910 when he joined the Eagle Band. Johnson was active in the South until the early '30s, but did not record during that era. Discovered in the latter part of the decade by Bill Russell and Fred Ramsey, he was profiled in the 1939 book Jazzmen. A collection was taken up to get Johnson new teeth and a horn. In 1942, he privately recorded in New Orleans, and the next year he was in San Francisco playing with the wartime edition of the Yerba Buena Jazz Band. An alcoholic, Johnson's playing tended to be erratic, and when Sidney Bechet recruited him for a band in 1945, he essentially drank himself out of the group. In 1946, Bunk Johnson led a group that included the nucleus of the ensemble George Lewis would make famous a few years later, but Johnson disliked the playing of the primitive New Orleans musicians. He was more comfortable the following year heading a unit filled with skilled swing players, and his final album (Columbia's The Last Testament of a Great Jazzman) was one of his best recordings. In 1948, the trumpeter (who was only 59 but seemed much older) returned to Louisiana and retired. Many of Bunk Johnson's better recordings have been reissued on CD by Good Time Jazz and American Music. ~ Scott Yanow, Rovi