Artist's albums
Dr. Jazz, Vol. 16
2001 · album
The Town Hall Concerts Five and Six
1998 · album
The Town Hall Concerts One and Two
1998 · album
The Town Hall Concerts Three and Four
1998 · album
1927-1943
1997 · album
Eddie Condon 1928-1931
1995 · album
1930-1944
1995 · album
1944 Jam Sessions
1981 · album
Since My Best Girl Turned Me Down
2023 · album
Jazz Masters, Vol. 6
2020 · album
That's a Plenty 1939-1944
2020 · album
Comin' Home
2019 · album
Eddie Condon & Bud Freeman
2018 · album
Highlights of Eddie Condon
2017 · album
Jazz Masters: Eddie Condon
2014 · album
The Eddie Condon Collection 1927-61
2014 · album
Confidentially, It's Condon
2013 · album
Royal Garden Blues: The Best of Eddie Condon
2012 · compilation
Dancing Fool
2012 · album
Eddie Condon. Authentic Chicago Dixie
2012 · album
George Gershwin Jazz Concert
2007 · album
Eddie Condon 1930-1944
2007 · album
Ol' Man River
2007 · album
Jam Session / Eddie's Blues
2005 · album
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Biography
A major propagandist for freewheeling Chicago jazz, an underrated rhythm guitarist, and a talented wisecracker, Eddie Condon's main importance to jazz was not so much through his own playing as in his ability to gather together large groups of all-stars and produce exciting, spontaneous, and very coherent music. Condon started out playing banjo with Hollis Peavey's Jazz Bandits when he was 17, he worked with members of the famed Austin High School Gang in the 1920s, and in 1927 he co-led (with Red McKenzie) the McKenzie-Condon Chicagoans on a record date that helped define Chicago jazz (and featured Jimmy McPartland, Jimmy Teschemacher, Joe Sullivan, and Gene Krupa). After organizing some other record sessions, Condon switched to guitar, moved to New York in 1929, worked with Red Nichols' Five Pennies and Red McKenzie's Blue Blowers, and recorded in several settings, including with Louis Armstrong (1929) and the Rhythm Makers (1932). During 1936-1937, he co-led a band with Joe Marsala. Although Condon had to an extent laid low since the beginning of the Depression, in 1938, with the opportunity to lead some sessions for the new Commodore label, he became a major name. Playing nightly at Nick's (1937-1944), Condon utilized top musicians in racially mixed groups. He started a long series of exciting recordings (which really continued on several labels up until his death), and his Town Hall concerts of 1944-1945 (which were broadcast weekly on the radio) were consistently brilliant and gave him an opportunity to show his verbal acid wit; the Jazzology label reissued them complete and in chronological order. Condon opened his own club in 1945, recorded for Columbia in the 1950s (all of those records have been made available by Mosaic on a limited-edition box set), and wrote three colorful books, including his 1948 memoirs We Called It Music. A partial list of the classic musicians who performed and recorded often with Condon include trumpeters/cornetists Wild Bill Davison, Max Kaminsky, Billy Butterfield, Bobby Hackett, Rex Stewart, and Hot Lips Page; trombonists Jack Teagarden, Lou McGarity, Cutty Cutshall, George Brunies, and Vic Dickenson; clarinetists Pee Wee Russell, Edmond Hall, Joe Marsala, Peanuts Hucko, and Bob Wilbur; Bud Freeman on tenor; baritonist Ernie Caceres; pianists Gene Schroeder, Joe Sullivan, Jess Stacy, and Ralph Sutton; drummers George Wettling, Dave Tough, and Gene Krupa; a string of bassists; and singer Lee Wiley. Many Eddie Condon records are currently available, and no jazz collection is complete without at least a healthy sampling. ~ Scott Yanow, Rovi