Artist's albums
Mahattan Masters 1945
1998 · album
1939-1944
1997 · album
Volume II
1976 · album
Muggsy Does It!
2021 · album
Extreme Rarities - The Jukebox Sessions
2020 · album
Rare & Unissued Recordings 1943-1952
2019 · album
Don't Get Around Much Anymore
2019 · album
In New Orleans 1938-1955
2013 · album
Ragtime Jazz
1973 · album
Dixie Flyer - Muggsy! 1950-54
2001 · album
Presenting Muggsy Spanier
1944 · album
Muggsy Spanier
1968 · album
Muggsy Spanier
1958 · album
Chicago Jazz
1958 · album
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Biography
Muggsy Spanier was a predictable but forceful cornetist who rarely strayed far from the melody. Perfectly at home in Dixieland ensembles, Spanier was also an emotional soloist (equally influenced by King Oliver and Louis Armstrong) who was an expert at using the plunger mute. He started on cornet when he was 13, played with Elmer Schoebel's band in 1921, and first recorded in 1924. Spanier was a fixture in Chicago throughout the decade (appearing on several important early records) before joining Ted Lewis in 1929. Although Lewis was essentially a corny showman, Spanier's solos gave his band some validity during the next seven years. After a stint with Ben Pollack's orchestra (1936-1938), Spanier became seriously ill and was hospitalized for three months. After he recovered, the cornetist formed his famous eight-piece "Ragtime Band" and recorded 16 Dixieland performances for Bluebird (later dubbed The Great Sixteen) that virtually defined the music of the Dixieland revival movement. But because his group actually preceded the revival by a couple years, it soon had to break up due to lack of work. Muggsy joined Bob Crosby for a time, had his own short-lived big band, freelanced with Dixieland bands in New York, and starting in 1950 he gradually relocated to the West Coast. During 1957-1959 Spanier worked with Earl Hines' band and he continued playing up until his retirement in 1964, touring Europe in 1960 and always retaining his popularity in the Dixieland world. ~ Scott Yanow, Rovi