Artist's albums
Eggerson Keaveney
2023 · single
I Would Rather
2023 · single
The Real Me
2023 · single
Digital Spool
2022 · album
Still Waiting
2022 · single
I Believe In A Thing Called Love
2022 · single
True Meaning of the Season
2021 · single
Humilis
2021 · album
Funkbot 10,000
2021 · single
My Brothe
2021 · single
Vulnerabilité
2021 · album
Allergic
2020 · single
Monottone
2020 · single
Fingerful Gloves
2020 · single
(Sic)
2020 · album
Dangerous Andrew
2019 · single
Hench
2019 · single
Light Touch
2019 · single
Passionfruit
2018 · single
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Biography
At the age of six, Jazz Emu fell in love with a second hand saxophone and proudly took it to a trial lesson. Within a minute the teacher had decided that Jazz’s hands were unusually small, and his shiny brass hopes were crushed with a plastic beginner’s clarinet. Several years of funk-repressed classical training followed, with the groove bubbling pianissimo under the surface. When he finally heard the syncopated hi-hats in Bill Withers’ Use Me, there was no going back. Jazz pulled out the dusty old sax and got to work. He would stay up late at night recording shining synths and near-silent screaming sax solos (no noise after 10pm) on his mum’s BOSS BR900-CD recorder. The results were too powerful to show the general public. Ten years later, armed with an Akai EWI-4000S, a right hand calloused by synth-glisses and a handsome selection of suits, Jazz has set out to change the world. Combining the lyrically pleonastic and musically dank, this project is an auditory experiment in high-art meets low-art. Imagine performing a Shakespearean sonnet over The Sims loading-music. Or reading Homer’s Iliad off of a toilet roll. Imagining it? Good. You’re about three eighths of the way to grasping the sonic mythos of Jazz Emu.